The Ghost Writer

The Ghost Writer is a novel by American author Philip Roth, first published in 1979. It is the first book in what has become known as the Zuckerman Bound sequence, a series of books narrated by the character Nathan Zuckerman, who is one of Roth's alter-egos. The plot centers around Zuckerman, a talented young writer, as he spends a night in the home of famous author E.I. Lonoff, an established writer whom Zuckerman idolizes. Also staying in Lonoff’s house is Amy Bellette, a young woman with a mysterious past who fascinates Zuckerman. Exploring themes such as the Holocaust, American Jewish culture, identity, and the craft of writing, The Ghost Writer was widely praised upon release and is considered one of Roth’s best works. It was a finalist for both the Pulitzer Prize for Fiction and the National Book Award in 1980. It was adapted into a 1984 television movie in the United Kingdom. In 2017, Roth published Exit Ghost, the final novel narrated by Nathan Zuckerman, which proivdes a bookend to the events of The Ghost Writer.

As The Ghost Writer begins, Nathan Zuckerman is a young writer at the beginning of his career who is seeking out the counsel of E.I. Lonoff, an established author whose career is finally beginning to take off. Zuckerman approaches Lonoff seeking a mentor, expressing his idolization of the older author in a way that makes Lonoff ill-at-ease. Zuckerman is excited simply to be in the same room as his idol. The two develop a rapport after the initial awkwardness, however, and they begin a spirited discussion about Jewish authors and share their opinions on the literature and art of the day. During his visit to Lonoff’s home, Zuckerman spots a fellow houseguest, a beautiful young woman who is organizing papers in Lonoff’s study. At first he assumes she’s Lonoff’s daughter or granddaughter, but he soon learns that she’s a former student. Lonoff is a part-time professor at a local university, and sponsored the young woman to come to the United States from an unknown country in Europe. Although Zuckerman and the young woman don’t speak, he immediately becomes fascinated by her, and is disappointed when she doesn’t join them for dinner.

At dinner, Zuckerman is overwhelmed when Lonoff praises his early work. However, dinner takes a nasty turn when Hope, Lonoff’s wife, begins criticizing him, saying that Lonoff never does anything for himself and is never happy. She suggests that Lonoff should have an affair with Amy, his houseguest. Lonoff ignores Hope, so she breaks a dish and storms off. Lonoff later asks Zuckerman to stay the night, and Zuckerman sleeps in Lonoff’s study. There, he reads a Henry James story that Lonoff mentioned at dinner, while he remembers a fight he had with his father. Zuckerman wrote a story about money based on a dispute between several of his cousins years back, and his father accused him of perpetuating anti-semitic stereotypes by writing about Jewish people and money. His father went so far as to convince a respected judge in the neighborhood to pressure Zuckerman to destroy the story, and Zuckerman has always resented his father’s attempts to interfere in his career.



Amy soon returns to the house, and Zuckerman can hear people arguing in the rooms above him. He tries to listen in, imagining that Amy and Lonoff are having a private conversation. He imagines that Amy is actually Anne Frank: having survived the concentration camp, she was sponsored to come to the United States by Lonoff and is studying under the great writer with ambitions to write herself. He imagines that, when her diary was published, she was heartbroken, knowing that her father thought she was dead and it was too late to tell anyone the truth. The next morning, Lonoff and his wife read the fan mail Lonoff received aloud to Zuckerman and Amy at breakfast. Hope reads a letter from a young man asking Lonoff to sponsor him to come to the United States to become a writer, and apologizes to Amy, believing the letter has upset her. Amy is clearly agitated and refuses her apology. This reaction infuriates Hope, who resumes her fixation on Amy becoming Lonoff’s lover. Zuckerman, continuing to write his own version of this tale in his head, imagines that Lonoff and Amy are already lovers. Hope announces that she’s leaving, telling Amy to stay. She packs a bag and storms out into the snow, determined to allow her husband and Amy to be together so that her husband might finally be happy. Amy, clearly disturbed by all of this, leaves too so that Zuckerman is alone and confused in Lonoff's house.

Philip Roth is an American novelist and short story writer, best known for his explorations of American Jewish identity. One of the most decorated novelists of the modern era, he is a two-time winner of the National Book Award and the National Book Critics Circle Award, a three-time winner of the PEN/Faulkner Award, and a Pulitzer Prize winner for his 1997 novel American Pastoral. Eight of his works have been adapted into films. In total, he has written twenty-nine novels and an additional four collections of his writing and essays.